This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A sweet 70s groover from the great Lonnie Smith – a soulful little session that has the keyboardist really stretching out in some great ways! At the time, Smith fares a lot better than some of his late 60s jazz organ contemporaries – as he's got a great lean style, perfect for the ... CD
Lonnie Smith's a long way from his Blue Note years here – but the sound is still plenty darn great, thanks to some fuller arrangements from the great Brad Baker – of B Baker Chocolate Company fame! The whole thing's quite electric – with Lonnie on Fender Rhodes and other ... CD
Smooth later work from Lonnie Smith – but still pretty darn great, with a feel that's in the late 70s Kudu/CTI mode! Arrangements are bigger than ever before – with large backings arranged by Lonnie, and some vocals that have a really wonderful, warm, Stevie Wonder-esque quality to ... CD
A lost jazz-funk gem – originally recorded at Club Mozambique in Detroit in 1970, but not issued by Blue Note until the mid 90s! The set's right up there with Lonnie's classic Move Your Hand live set – as the tracks are long, free, and very funky, performed by a hip group that includes ... CD
A record that's got maybe one of the worst covers ever for legendary altoist Lee Konitz – and that's saying a lot, given that he recorded hundreds of albums – but a set that's also well worth dipping into, as it's got some wonderful surprises along the way! First off, there's electric ... CD
Sweet clubby grooving from Joe Thomas – a set that has the Ebony Godfather smoothing his groove a bit for the disco years of the late 70s, but still keeping things plenty soulful throughout! Brad Baker (of B Baker Chocolate Company fame) arranged and conducted the album, and he brings in ... CD
Benny Waters/Joe Turner/Jimmy Woode Jr/Kenny Clark
Reedman Joe Thomas is wrapped up here in some very warm grooves – a mix of electric jazz and clubby modes – all of which takes Thomas' usual sound right to the discos! Most cuts have a backup vocal group – with contributions from Gwen Guthrie and Jocelyn Brown – but these ... CD
Two excellent albums of funky organ work from the great Reuben Wilson! Both sides were recorded for Groove Merchant after Reuben left Blue Note – and they're actually a lot better than his work for Blue Note, as they have him opening up his groove a lot more, funking it up in a mode that's a ... CD
A really lovely set, and one of the more obscure albums from Japanese piano legend Tsuyoshi Yamamoto – a record that has him working in a great trio with John Clayton on bass and Billy Higgins on drums – both musicians who have a warmth that really matches Tsuyoshi's approach to the ... CD
A really hard-burning live session – recorded in the 90s, but with all the bite and fire of some of the best Hamiet Bluiett sessions from the previous decade! There's a long-spun, spiritual vibe going on here – tracks that use familiar instrumentation, but really find a way to soar ... CD