This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of the most fantastic records we've heard from bassist Marc Johnson in years – a wonderful solo set that not only furthers Johnson's legacy as a musician, but also ties it to the larger ECM Records tradition – but without having Marc just swim in the same waters as his labelmates! ... CD
Carla Bley on piano, Wolfgang Puschnig on alto saxophone, Andy Sheppard on tenor saxophone, Steve Swallow on bass, Victor Lewis on drums, Larry Goldings on organ, Gary Valente on trombone, and Lew Soloff on trumpet. CD
Steven Micus works here entirely on his own – in a record that creates these really beautiful sounds from a variety of different steeldrums, but in ways that are very different than any other use of the instruments! Micus often handles the instruments with the slow pace and careful tension ... CD
A wonderfully free-thinking set by Kenny Dorham – and a record that really breaks from his earlier work! The album's not exactly experimental, but it features longer tracks with a looser approach than some of Dorham's sweeter shorter work – more in a rhythmically progressive mode that ... CD
Charlie Haden on bass and Michael Brecker on tenor sax – joined by Brad Mehldau on piano, Brian Blade on drums, and a 34 piece orchestra. Tracks include "Travels", "No Lonely Nights", "It Mgiht Be You", "Sotto Voce", "Young & Foolish" and ... CD