Charles Earland : Perceptions (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Perceptions

LP (Item 63891) Mercury, 1978 — Condition: Very Good
Charles Earland really soars to the heavens here – working in a style that's very different than his early jazz albums on Prestige, but which still features plenty of great solo moments too! Earland's key partner in crime here is the great Randy Muller – the man behind the sound of Brass Construction and BT Express – working on arrangements and production to help the keys of Charles get all these excellent grooves – modes that move between midtempo jazz funk to a few clubbier tracks – all in the hippest side of the 70s spectrum! Earland has expanded his keyboard range past straight Hammond, and works all this other great magic into the Fender Rhodes and other instruments – and the record also features backing vocals from the group Skyy – who would soon go on to great fame on their own, thanks to Muller. Titles include "Let The Music Play", "I Like It", "Changes", "Over & Over", and "Smile".  © 1996-2024, Dusty Groove, Inc.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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