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Black Caesar

LP (Item 6359) Polydor, 1973 — Condition: Near Mint-
Gatefold
$43.99 ...

LP, Vinyl record album

(€37.28 || £33.08 || ¥4939) (approx.)

Damn, is this a great record! The album's not only one of the best blacksploitation soundtracks ever recorded, it's also one of James Brown's funkiest outings of the early 70s! Nearly every cut's a winner, and James gets some very funky help from The JBs, who groove hard on the best instrumental cuts, plus Lyn Collins, who sings a sock version of "Mama Feelgood" that's worth the price of the record alone! Includes the classic "Down & Out in New York City", plus "Blind Man Can See It", "Sportin' Life", "The Boss", "Dirty Harri", and "Chase".The original on wax, with the split middle gatefold cover! One of James' best records from the 70's, and includes the cuts "Sportin' Life", "The Boss", "Down & Out in New York City", "Blind Man Can See It", and lots more good grooves. This is the original pressing – with a split die-cut gatefold cover in the middle! (Original pressing in the die-cut cover, with some light wear.)  © 1996-2017, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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