Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Bergen Sings Morgan

LP (Item 614915) Columbia, Late 50s — Condition: Very Good

Titles include "Don't Ever Leave Me", "Why Was I Born", "Can't Help Lovin That Man", and "Bill".  © 1996-2021, Dusty Groove, Inc.
(6 eye pressing with deep groove. Cover has some minor seam splitting.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Columbia, 1958. Very Good+
A bittersweet set of vocals from Polly Bergen – recorded with a sound that really fits her sad-eyed look on the cover! Although Bergen's voice is sometimes confident and full, it's nicely restrained here – often somewhat dark-toned and moody – in ways that remind us of Morgana ... LP, Vinyl record album
Columbia, Late 50s. Very Good+
How can we even begin to describe the genius of Lambert Hendricks and Ross? The group was a jazz vocal supergroup that merged three talents that had already made a big name in the bebop vocalese field – Dave Lambert, Jon Hendricks, and the lovely Annie Ross – and the project was an ... LP, Vinyl record album

Jimmy Rushing

Mister Five By Five
Columbia, Late 50s. Near Mint- 2LP Gatefold
Great material from Jimmy Rushing's 50s comeback years – hard-groving tracks with a hint of R&B! LP, Vinyl record album
Columbia, 1974. Near Mint-
... LP, Vinyl record album
Columbia, Late 50s. Very Good+
In our opinion, this "comeback" material by Rushing was way better than his original work from the late 30s. He's got more of a sense of control here, and his approach to the material is extremely thoughtful, and always tinged with a good sense of jazz, making it swing a bit more than on ... LP, Vinyl record album
Columbia, Late 40s. Very Good-
... LP, Vinyl record album

Rosemary Clooney

Tenderly (10-inch)
Columbia, Early 50s. Very Good-
... LP, Vinyl record album
Columbia, 1950s. Very Good
Includes selections by Rosemary Clooney, Jo Stafford, Frankie Laine, Jerry Vale, and Harry James. LP, Vinyl record album

Lambert, Hendricks & Ross

Hottest New Group In Jazz
Columbia, Late 50s. Very Good+
How can we even begin to describe the genius of Lambert Hendricks and Ross? The group was a jazz vocal supergroup that merged three talents that had already made a big name in the bebop vocalese field – Dave Lambert, Jon Hendricks, and the lovely Annie Ross – and the project was an ... LP, Vinyl record album

Frankie Laine & Michel Legrand

Reunion In Rhythm
Columbia, 1959. Near Mint-
... LP, Vinyl record album
Columbia, 1963. Near Mint-
... LP, Vinyl record album

Patty Waters

Patty Waters Sings
ESP, 1966. Very Good+
One of 2 ESP sessions by Patty Waters – one of the most groundbreaking vocalists of the 60s, and a singer with a style that mixed equal parts jazz and folk! In a way, Patty's got a sound that's somewhat like Nina Simone at her best – in that she dominates a tune completely, singing as ... LP, Vinyl record album
 



⇑ Top