Various : After Hours (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

After Hours

LP (Item 59516) King, Late 50s — Condition: Very Good-
A classic 50s compilation from the legendary King Records – one that really shows off the grittier, bluesier side of their catalog – and features some key crossover cuts from the postwar years too! The music here is a wonderful mix of modes – instrumental R&B, jukebox jazz, and some rootsier blues – all captured with that core intensity that really made King's singles stand out from the rest of the pack – maybe even more than labels like Chess or Vee Jay at the time. The tunes work together wonderfully, in a surprisingly unified vibe – and titles include "Long Gone (parts 1 & 2)" and "Mellow Blues (parts 1 & 2)" by Sonny Thompson, "After Hours" by Jimmy Nolen, "What's New" by Bill Jennings, "Midnight To Dawn" by Earl Bostic, "Ooh Midnight" by Pete Guitar Lewis, "In The Morning" by Washboard Bill, "Eventide" by Bill Doggett, and "Blues For The Red Boy" by Todd Rhodes.  © 1996-2024, Dusty Groove, Inc.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Testament, 1966. Very Good+
(Light blue label pressing. Cxover has light wear and aging.) LP, Vinyl record album

Muddy Waters

Fathers & Sons
Chess, 1969. Near Mint- 2LP
One of the biggest albums of Muddy Waters' career – a key crossover effort that has Waters as the "father" working with "sons" Paul Butterfield and Michael Bloomfield! The style here is still quite rootsy overall – and the double-length session features one album ... LP, Vinyl record album
Delmark, 1978. Near Mint-
A sharp live set, recorded in 1975 by Trio Records in Tokyo – with Rush on guitar and vocals, Jimmy Johnson on second guitar, Sylvester Boines on bass, and Tyrone Centuray on drums! LP, Vinyl record album

Otis Rush

Cold Day In Hell
Delmark, 1975. Near Mint-
(Lincoln Ave pressing. Cover has an unglued top seam.) LP, Vinyl record album
Fantasy, 1959. Near Mint- 2LP Gatefold
A pair of very stripped-down albums from John Lee Hooker – issued together in this 70s set! First up is Country Blues Of John Lee Hooker – featuring the legendary John Lee Hooker, heard here in one of his more obscure recordings from the late 50s – at least in contrast to his ... LP, Vinyl record album

Otis Rush

Tops
Blind Pig, 1986. Near Mint-
(Cover looks nice, with minimal wear.) LP, Vinyl record album

Mighty Sam McClain

Give It Up To Love
Audio Quest, 1993. Near Mint- Gatefold
(200 gram Analogue Productions pressing in a gatefold cover.) LP, Vinyl record album
Arhoolie, 1920s/1930s. Very Good+
Features tracks by Memphis Jug Band, Washboard Sam, Washboard Rhythm Kings & more! LP, Vinyl record album
Atlantic, Late 50s. Near Mint-
A real classic from blues giant Joe Turner – a singer who burst back to the mainstream on 50s Atlantic Records, thanks to a host of R&B singles that burned up the charts – but who here returns to his roots, and lays down a great set of jazzy tunes that get back to his roots in the ... LP, Vinyl record album
Third Man, 1969. Near Mint- 2LP Gatefold
A fantastic document of the first-ever Ann Arbor Blues Festival – the start of a great event that would blossom into other styles of music in the 70s, but which stood as a strong blues-based event in its initial year of 1969! In some ways, the three day series of concerts is a roots answer ... LP, Vinyl record album

Cheryl Lynn

Cheryl Lynn
Columbia, 1978. Near Mint-
Massive work from the great Cheryl Lynn – and a key bridge between late 70s disco and the newer grooves of the 80s club scene! The album's a mix of midtempo groovers with a few mellower tracks – and it's got a tight, slightly jazzy sound that was very fresh at the time, and which still ... LP, Vinyl record album

Gordon Staples & The String Thing

Strung Out
Motown, 1970. Near Mint-
A damn funky record – way more so than you might expect from the "string" in the title! The group's kind of an answer to the Soulful Strings ensemble headed by Richard Evans for Cadet/Concept in Chicago – and like that group, it mixes up funky rhythms with some sweet large ... LP, Vinyl record album
 



⇑ Top