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After Hours

LP (Item 59516) King, Late 50s — Condition: Very Good
Originally: 29.99
A classic 50s compilation from the legendary King Records – one that really shows off the grittier, bluesier side of their catalog – and features some key crossover cuts from the postwar years too! The music here is a wonderful mix of modes – instrumental R&B, jukebox jazz, and some rootsier blues – all captured with that core intensity that really made King's singles stand out from the rest of the pack – maybe even more than labels like Chess or Vee Jay at the time. The tunes work together wonderfully, in a surprisingly unified vibe – and titles include "Long Gone (parts 1 & 2)" and "Mellow Blues (parts 1 & 2)" by Sonny Thompson, "After Hours" by Jimmy Nolen, "What's New" by Bill Jennings, "Midnight To Dawn" by Earl Bostic, "Ooh Midnight" by Pete Guitar Lewis, "In The Morning" by Washboard Bill, "Eventide" by Bill Doggett, and "Blues For The Red Boy" by Todd Rhodes.  © 1996-2023, Dusty Groove, Inc.
(Heavy black label pressing, with deep groove – and yellow print/text on front. Cover has tape on the top seam, some light staining, and a missing patch near the top. Vinyl is nice and clean.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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