This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
One of Joe McPhee's strongest early albums – and a real breakthrough from his sound on Nation Time (also issued as part of the Unheard Music Series.) The group here is a trio – with Mike Kull on electric and acoustic piano, and Harold E Smith on percussion – and the lack of a ... CD
An obscure classic from the Danish modern scene of the 60s! Tom Prehn is a revolutionary pianist with an approach that's unlike any other we can think of. His attack on the ivories is almost similar to Peter Brotzmann's on the tenor – but is punctuated with a bit more space, in a mode that's ... CD
Brilliant new work by the Vandermark 5 – Chicago's groundbreaking avant jazz ensemble headed by Ken Vandermark, and featuring Jeb Bishop on trombone, Kent Kessler on bass, Tim Mulvenna on drums, and Dave Rempis on alto and tenor. The group's got a poise and a brilliance that recalls the best ... CD
An oblique title, but aptly fitting for the enigmatic work of this great Chicago avant combo. Ken Vandermark leads the ensemble which features Kent Kessler, Jeb Bishop, Tim Mulvenna, and Mars Williams – and even though this CD was the group's first on Atavistic, they already play with an ... CD
A monster from the FMP archives – a lost trio set, recorded live in Berlin on two dates in the early 80s! It features frenetic South African drummer Louis Moholo, wild soprano and tenor sax from Larry Stabbins, and piano work by Keith Tippett, who spent time in King Crimson in the 70s before ... CD
Kind of reminds us of some of the New York noise from the early 80s – with Nels Cline proficiently jamming away on guitar, and Bendian playing vibes and "fuzz vibes" in tight choppy modal lines with the group's proggish rhythm. Titles include "Drive", "Sanctuary" ... CD
A killer date from two of the hippest tenors of the west coast scene in the 50s – Bill Perkins and Richie Kamuca – both musicians who worked in the cool school, but could also come across with plenty of soul! The album's got both tenors working head on – hitting counterpoint ... CD
A Chicago avant jazz supergroup – featuring Mars Williams on saxes, Kent Kessler on bass, Greg Suran on guitar, Wayne Kramer on guitar, David Suycott on drums and effects, and Fred Lonberg-Holm on cello. The approach here certainly shows a lot of Williams' sides – fast and frenetic ... CD