This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
(MGM pressing. Vinyl is oxidized on Side B and plays with surface noise. Cover has a cutout hole.)
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid ... LP, Vinyl record album
Oscar pays tribute to Frank – but he uses his keys, not his voice – to come up with some great renditions of tunes from Sinatra's classic Capitol years! It's true that Peterson was known to vocalize on some sessions (most notably on his tribute to Nat King Cole, recorded a few years ... LP, Vinyl record album
A key example of the popularity of the Oscar Peterson Trio in the mid 60s – an album of tracks that listeners wanted to hear done in the group's familiar style! The tunes are simple ones, mostly standards and 60s covers – but they're done by Oscar, Ray Brown, and Ed Thigpen in a mode ... LP, Vinyl record album
Nice, tight, simple, and swinging! All players are hitting a good later stride here, set in unrestricted small group company on the occasion of the film release of the Benny Goodman story. Verve was able to get the players to go past the stock stuff they did for the film, and recreate some of the ... LP, Vinyl record album
This is a volume of six songs recorded after the advent of the long playing record in an attempt to record the complete works of Art Tatum. The six song titles included are "Love For Sale", "Wrap Your Troubles In Dreams", "Louise", "Come Rain Or Come Shine", ... LP, Vinyl record album
One of the first, and most famous, of Norman Granz's landmark JATP sessions – featuring an extended reading of "How High The Moon" that was a bit of jazz history itself! The session was recorded at Syria Mosque Auditorium in Pittsburgh – and featured players that include Buck ... LP, Vinyl record album
Classic Norman Granz swing session, with Roy Eldridge on flugelhorn, Alvin Stoller on drums, and John Simmons on bass. Tatum's up front, with some good laidback solos. The LP has a number of short cuts "Night and Day", "This Can't Be Love", "I Won't Dance", and " ... LP, Vinyl record album
This is a volume of six songs recorded after the advent of the long playing record in an attempt to record the complete works of Art Tatum. The six song titles included are "The Man I Love", "Over The Rainbow", "Memories Of You", "Body & Soul", "Maki ... LP, Vinyl record album
Features Ella Fitzgerald on vocal performances of "April In Paris", "Party Blues", and "Every Day I Have The Blues" – with Count Basie backing. Also features a jam session version of "Billie's Bounce" – with Art Blakey, Charles Mingus, Tal Farlow ... LP, Vinyl record album