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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the few albums by the enigmatic Tony Kosinec – produced by Peter Asher, with titles that include "Bad Girls", "Dinner Time", "Wheatfield", "The Sun Wants Me To Love You", "My Cat Ain't Comin Back", "Gemini At Pains", and " ... LP, Vinyl record album
Dion does folk rock – bits of blues, tender balladry, and some sweeping arrangements, too – although folk purists would take a torch to it, of course, the mix of grandly arranged pop with songs from the folk and blues canon is a actually quite his a lot of unselfconscious fun! It's a ... LP, Vinyl record album
The amazing debut of Soft Machine! It's hard to find a more seminal moment of jazz rock from the British scene – and there's certainly few albums from its generation that stand up as well over the years as this one! The trio of Robert Wyatt, Kevin Ayers, and Michael Ratledge carve out the ... LP, Vinyl record album
A seminal pop psych classic from the UK scene – served up here by a group that seem to borrow a bit of the energy from the late 60s Bee Gees at their trippiest, but who also really have a way for turning out a tune that has a very groovy vibe! Part of the credit might go to producer John ... LP, Vinyl record album