This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential East meets West jazz recording, with Art at the top of his game, playing in a unique setting for ... CD
A classic 50s album on Savoy – a set that's almost as memorable for its cartoony cover as it is for the great Art Pepper material on the record! Pepper's tone here is wonderful – that sharper-edged, more soulful approach that you often get in his smaller label 50s work – a nice ... CD
Classic Art Pepper material, recorded in one of his comeback periods, and featuring the famous Richard Claxton photo of Art Holding his horn next to a tree. There's several different lineups featured, with a coupl of quintet and quartet sides, and a few with larger horn section, and the sidemen ... CD
The first US collection of albums that were originally issued only overseas – a series of sessions that bring Art Pepper together with some jazz heroes of his early years, plus surprising guests like Sonny Stitt, Bill Watrous, and Lee Konitz! CD
A great west coast live date from Bill Evans – one that showed that his magic on the keys was equally at home in LA as it was in New York! The session's especially noteworthy for the presence of drummer Larry Bunker – a great player who worked on countless recordings, both jazz and non- ... CD
A very tight early session by the great organist Larry Young! The album's quite different than Young's later Blue Note work – more in-the-pocket soul jazz, but filled with the expansive sensibility that would later have him take off for the heavens. The biggest example of this tendency is ... CD
A classic outing of solo piano by Thelonious Monk – a format that wasn't used often, but which always made for some really compelling work! Monk in this mode is often different than the bolder leader of a trio or larger group – and there's a more introspective quality to the record ... CD
An excellent album recorded during the height of Benny Golson's powers as an arranger and tenor soloist! Benny leads two groups – a quintet and a nontet – both of which feature players that include Art Farmer, Wynton Kelly, Sahib Shihab, Gigi Gryce, and Paul Chambers – working ... CD
Late 60s greatness from Pepper Adams – an overlooked session that's easily one of his most standout sides of the decade! There's an easygoing swing to the record that's simply wonderful – a well-blown sound that's never too overthought or academic – just pure proof of the sort of ... CD
A noteworthy session from pianist Hampton Hawes – a rare quartet session from the 50s (at a time when Hawes was mostly working in trios) – and also a three volume set of releases, all recorded in the space of a single night! The album is truly an All Night Session – as the ... CD
Strong work from John Coltrane's early years as a leader – even if the album is sort of a collection of tracks that Trane recorded for Prestige, instead of a discreetly separate session! Side one features Coltrane's tenor in a spare setting with Earl May on bass and Art Taylor on drums ... CD