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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An evocative title, and one that really sets the stage for the great sound of the record – an Oscar Peterson album that's a bit more open and flowing than usual – with some great long tracks, and a mighty soulful sound throughout! The title track is a real gem – as Niels Henning ... LP, Vinyl record album
A key example of the popularity of the Oscar Peterson Trio in the mid 60s – an album of tracks that listeners wanted to hear done in the group's familiar style! The tunes are simple ones, mostly standards and 60s covers – but they're done by Oscar, Ray Brown, and Ed Thigpen in a mode ... LP, Vinyl record album
Oscar Peterson pays tribute to the late Nat King Cole – not only on piano, but also with a bit of vocals as well! Given how rarely Oscar sings on record, the album's a real treat – especially as his vocals capture the spirit of Cole surprisingly well – not exactly like Nat, but ... LP, Vinyl record album
The West Side Story score – but handled here by the great Oscar Peterson Trio – in ways that really push the tunes past their Broadway roots! The approach is tight, soulful, and filled with strong lines from Peterson on piano – plus bass by Ray Brown and drums from Ed Thigpen ... LP, Vinyl record album
Beautiful late 50s work from Stitt – filled with subtle complex solos, and a rich confident tone that was missing from earlier records! As with some of his other Verve sessions from the time, the track list is mostly standards – but unlike some Verve sessions, Stitt never gets lost in ... LP, Vinyl record album
Some great long jam session tracks from a Jazz At The Philharmonic Concert from 1950 – "Ghost Of A Chance", "Lady Be Good", "Norgran Blues", and "Indiana". LP, Vinyl record album