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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Arguably the last true moment of genius in Michael Jackson's career – a record that sold a bazillion copies around the world – and for plenty good reason! Michael's still working here with Quincy Jones – in territory that steps nicely from the Off The Wall groove, into territory ... LP, Vinyl record album
Another nice one from Sade – perhaps not as edgey as some of her earlier work, recorded in a slightly smoother style, but still quite nice to our ears – as Sade's always been a pleasure, no matter what the setting! Includes the nicely grooving "Nothing Can Come Between Us", ... LP, Vinyl record album
Late 80s boogie funk from Cameo guitarist and keyboardist Charlie Singleton & Modern Man, though Charlie himself may very well be Modern Man, as he also wrote and produced the record – with all star assistance from his Cameo partners, Peabo Bryson and others! Nothing Ventured, Nothing ... LP, Vinyl record album
A near-lost album of 80s soul from Rosie Gaines – produced, arranged, and mostly written by Rosie with help from a few key associates – and done in a nicely mellow style that has a deeper feel than most other work from her contemporaries! Instrumentation is definitely in the 80s mode ... LP, Vinyl record album
A killer all-star session of funky fusion tracks – with a nice tight sound produced by Skip Drinkwater! Yesterday's Dreams differs a little from Alphonso's other strong mid 70s efforts in that it's not as spacey as a whole – but the rubbery, cleanly funky grooves are just as strong ... LP, Vinyl record album
A sweet second set from 80s singer Carl Anderson – a date that's got poise, class, and a heck of a lot of soul! Although a mainstream effort, there's a nice sort of depth to the record – one that shows that Columbia wasn't pitching Anderson as much towards a crossover artist as they ... LP, Vinyl record album
The second album by Heatwave – and a great effort that's almost as perfectly sublime as the first! Despite their UK origin, these guys really give American late 70s soul a run for its money – hitting in a sweetly compressed sound that fuses the vocals, keyboards, and grooves together ... LP, Vinyl record album
Vivian Reed was an obscure soul singer who cut a few equally obscure albums for Epic, of which this is the first. Given that she was a new discovery by the label, it's not surprising that the record was handled in the way that it was – she was produced in 2 different styles, one with ... LP, Vinyl record album
Not the traditional Johnny Otis Show records you might know from Johnny's famous R&B years of the 50s – and instead a totally great record from the start of the 70s that's filled with funk, soul, and blues! The set really shows the way that Otis changed with the times – and the ... LP, Vinyl record album