This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A magnificent set from the team of Art Farmer and Jim Hall – one of those rare pairings in jazz that somehow comes off sounding even way better than the sum of its parts – and that's saying a lot, given that the parts here are already pretty darn great! Farmer's flugelhorn and Hall's ... CD
Never-failing genius from Art Farmer – recording here in his later years, and working in that long and open-ended mode we love so much! There's few trumpeters who could make a record like this work – but Farmer's got a tremendous ability to stretch out on longer tunes with well-crafted ... CD
An amazingly beautiful set of tracks from Art Farmer – playing here with superb accompaniment from a young Harold Mabern on piano, in a laidback quartet format that really lets Art open up! Art's playing is fresh and creative throughout – never too over the top, and always blown with ... CD
A really unique little album that features jazz versions of themes from Swedish folk music – all served up by a sublime quartet that features Art Farmer on flugelhorn and Jim Hall on guitar! The exploration of folk roots in jazz is not a new one – and a number of the postwar Swedish ... CD
Features Frank Morgan on alto and McCoy Tyner on piano, with Avery Sharpe on bass and Louis Hayes on drums. Tracks include "How Deep Is The Ocean", "Emily", "Search For Peace", "Frank's Back", and "Theme From Love Story". CD
Nat and Johnny Griffin front The Three Sounds in this easy-going soul jazz session with a nice rolling groove. The set's got a couple of originals – "Sister Caroline" and "Branching Out" – plus versions of "Well You Needn't" and "I've Got Plenty Of ... CD
A real heavy-hitter – one of the few albums of hardbop that Gryce cut for Prestige, done in a more relaxed, more soulful, more down-n-dirty style than some of his more arranged work from the 50s. The groove's still pretty modern on the set – thanks to a great group that includes ... CD
Dizzy's Big 4 here are a quartet of players that includes Ray Brown on bass, Joe Pass on guitar, and Mickey Roker on drums – all of whom work with Dizzy in a lightly skipping groove that's a nice contrast to some of his other 70s work! The style certainly has some of the spacious qualities ... CD
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... CD
Bebop is alive and well in this classic 60s set by McPherson – blowing hard here in a Bird-esque mode on alto, but also with some of the soulfulness of Jackie McLean during the 50s. The group features Carmell Jones on trumpet, Barry Harris on piano, Nelson Boyd on bass, and Al Heath on drums ... CD
A wonderfully warm session from tenor legend Booker Ervin – maybe not as experimental as some of Booker's other dates for Prestige Records in the 60s – but a really wonderful record that fully explores the deep tones of his Texas tenor, and still lets him come off with a bit of an edge! ... CD
One of our favorite Kenny Burrell albums – and a record with a much deeper feel than lots of his other work! Kenny cut this album with John Coltrane in 1958 – and the session's a real standout in both of their careers at the time – Kenny's, for being a well-crafted, highly-focused ... CD