This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A great live date – recorded in Tokyo with Jackson on vibes, Teddy Edwards on tenor, Cedar Walton on piano, Ray Brown on bass, and Billy Higgins on drums. Tracks include "Killer Joe", "All Blues", "St. Thomas", "The Prophet Speaks", and "Stolen ... CD
A great little set from that time when Milt Jackson was fronting a group that also included Jimmy Heath on tenor – a wonderful pairing of talents that made for some of Milt's most soulful sides of the 60s! Heath's sharp-edged tone is a great contrast to Jackson's smoother touch on the vibes ... CD
Proof that Milt Jackson was easily the hippest member of the Modern Jazz Quartet – and one of the few who could really open up into different sounds away from that combo! This sweet 70s set for CTI is totally great – a whole new chapter for Jackson's vibes, and a real re-setting of the ... CD
Seminal work from Freddie Hubbard – an early hardbop session that features some great work by Tina Brooks on tenor, piano by McCoy Tyner, and rhythm from the team of Sam Jones on bass Clifford Jarvis on drums! And although Freddie's great at this early point in his career – playing ... CD
A gem by Joe Pass – recorded "live" in the studio a few months before his legendary For Django album, but never issued until the 70s! The set's got a freeness that you don't always hear in some of Pass' other more restrained work – and working with a quartet that includes ... CD
Amazing modern work from the young Chick Corea – a set that captures the pianist in much more avant territory than his famous 70s sets – at a time when he was just coming off some years working in a variety of modes on the New York scene! The group here is as revolutionary as Chick's ... CD
A nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these ... CD
The only Blue Note album ever cut by pianist Walter Davis Jr – but a heck of a hard-swinging set, and possibly his greatest album ever! Although Davis is more frequently heard in trio formation as a leader, this set brings him back to the mode used during some of his bop sideman dates of ... CD
An incredible album from trumpeter Donald Byrd – hard, funky, and with more of an edge than most of his other Blue Note work! The sound on the album's incredibly sinister – really concerned with downward chord turns in moody rhythms – played with a real sense of soul by a ... CD