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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of John Barry's earliest scores for Bond – when his style was nice and raw, and when the Bond theme couldn't be heard enough throughout the course of the movie! Matt Munro sings the lyrics to the forgotten title hit – and other tracks include "James Bond Theme", "Tani ... LP, Vinyl record album
A pretty compelling John Barry score – written for this strange semi-comedy which starred George C Scott and Julie Christie, and which was directed by Richard Lester. The music is a mixture of groovy themes and slower numbers that still have a modulated groovy approach – strings ... LP, Vinyl record album
A fairly straight orchestral score by John Barry – written for this early 60s film that starred George Segal, Tom Courneay, and Denholm Elliott. The film's a war one, and the themes are pretty typical for that sort of thing – but they do have some nice instrumental touches that push ... LP, Vinyl record album
An excellent collection of instrumentals from John Barry – a good slice of his later work, moving away from the Bond sound into some more abstract, mellow, and darker moments. There's some really great mellow tracks on here – done with instrumentation kind of floating in and out of the ... LP, Vinyl record album
Nice LP featuring John Barry conducting his biggest hits from famous films, including "The Knack", "Goldfinger", "007", "Ipcress File", The Chase", "Mr. Kiss Kiss Bang Bang", "Thunderball", "From Russia With Love", "The ... LP, Vinyl record album
Hard to tell if these are new versions of songs, or simply ones lifted from Barry's UA soundtracks – but from the notes and the music, the album seems to be a unique one. Barry's sounding nice and lean here, working his way through his own work – like "The James Bond Theme", ... LP, Vinyl record album
Peter Schickele – aka PDQ Bach – did the soundtrack for this creepy early 70s space thriller, and it's a lot different than most of the work he did under his more famous pseudonym. Most tracks are spare and spooky – with some off-kilter strings that give a bit of a spacey feel, ... LP, Vinyl record album
One of the best later moments from soundtrack giant Alfred Newman – a stunning score for a star-studded disaster film at the start of the 70s! Newman's still got some of his older sense of orchestration here, but also gets a bit leaner for the modern age too – bringing in some groovier ... LP, Vinyl record album