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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pretty hard rocking set of soul instrumentals from Gene Barge – a sax soloist with a honking King Curtis type sound, and a talent who was also doing a fair bit of producing and arranging for Chess during the 60s! This set is one of the few that Gene cut on his own, and is a loping set of ... LP, Vinyl record album
Despite the "Show Tunes" in the title, this set's really a great batch of tracks from some of Motown's soundtracks from the early 70's. this means that the set includes "Brothers Gonna Work It Out" and "Theme Of Foxy Brown" by Willie Hutch, "Don't It Feel Good To ... LP, Vinyl record album
Mid 70's album of funky soul tracks cut by ex-Gator Willie Tee, with a number of other members of the Gators, for United Artists. Don't go thinking that it's raw New Orleans soul, though, because the sound is a lot more polished, with more of a 70's modern groove to it. Willie's still got some ... LP, Vinyl record album
A real classic from The Manhattans – and just the kind of record to show why the group stayed so great after all the years! The ballads are wonderful – arguably even better than the group's indie label days – with a depth of feeling, fullness of harmonies, and magical balance ... LP, Vinyl record album
Arguably the last true moment of genius in Michael Jackson's career – a record that sold a bazillion copies around the world – and for plenty good reason! Michael's still working here with Quincy Jones – in territory that steps nicely from the Off The Wall groove, into territory ... LP, Vinyl record album
A great little Lou Rawls album from his short-lived time at Bell Records – and like most of his smaller stints at 70s labels, work that really stands out from the rest! The album was cut in LA with smooth production from Norman Ratner – but the overall sound is still pretty darn hip ... LP, Vinyl record album
Titles include "Something In The Way", "Home", "Real Love", "Comfort Of A Man", "Fast Talk", "Good Girl Gone Bad", and "Ain't No Cookin". LP, Vinyl record album
The album's no breakout for the Pointer Sisters, as the trio were already at the top of the charts when the set was released – but the whole thing does find a great way to keep the grooves coming in the group's lasting relationship with producer Richard Perry! There's plenty of 80s elements ... LP, Vinyl record album
With selections by Mary Wells, Diana Ross & The Supremes, The Temptations, The Marvelettes, Smokey Robinson & The Miracles, Jr Walker & The All Stars, Stevie Wonder, Martha Reeves & The Vandellas, Four Tops, and Stevie Wonder. LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album