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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The second album from Traffic, and a set that forever cemented their legacy in the annals of modern music – a set that has Dave Mason returning to the group after a brief hiatus, and maybe helping the quartet find a tighter, rootsier sound overall! The approach here is nicely mixed – ... LP, Vinyl record album
Lots of early classics – "Pretty Flamingo", "Let's Go Get Stoned", "My Little Red Book", "Got My Mojo Working", "Do Wah Diddy Diddy", and "Oh No Not My Baby". LP, Vinyl record album
The Ramones really caught their classic recorded sound for the first time on Leave Home – the second of their three perfect late 70s milestones. As amazing as the debut is, its two-channel shrieking buzzsaw sound bowed nicely to the slightly more digestible, but just as cathartic roar of the ... LP, Vinyl record album
An undisputed masterpiece, and a record we never tire of hearing – unabashedly the inspiration for our years of jazzy exploration as adults, even though it was probably the closest thing we ever got to the genre as wee lads! Walter Becker & Donald Fagan raise their already-high bar to ... LP, Vinyl record album