This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A brilliant pairing of free jazz forces – the Chicago-based School Days group of Ken Vandermark, and the groundbreaking Atomic combo from the Nordic jazz underground! The players here are all very like-minded, and fold together beautifully – in an octet lineup that features reeds from ... CD
A mighty mighty album that recalls the glory days of the FMP scene – a triple-talent terror that features the massive reed work of Mats Gustafsson, Ken Vandermark, and Peter Brotzmann! Given that Gustafsson and Vandermark are the two key heirs to the sound that Brotzmann first forged back in ... CD
Some of the most beautiful, introspective work we've heard in years from Ken Vandermark – spare duets with pianist Pandelis Karayorgis – done in a mode that almost recalls the best experiments of Lee Konitz or Jimmy Giuffre from many years back! The sound is spare, but never too sleepy ... CD
A classic pairing of two of the most important percussionists on the Chicago avant scene of the 90s – Hamid Drake and Michael Zerang, both musicians with a very different sound and style – but whose contributions to the Okka Disk label alone are more than enough to warrant them pages in ... CD
An important early album from reedman Mats Gustafsson – and one that has him working with older free jazz giants Barry Guy on bass and Paul Lovens on a range of percussion instruments, including a musical saw! Mats is clearly the star of the set – already an amazing master of tones, ... CD
Threadgill plays alto sax and bass flute and is joined by Ted Daniels on trumpet and flugelhorn, Bill Lowe on bass trombone, Diedre Murry on cello, Fred Hopkins on bass, and Newman Barker and Reggie Nicholson on drums and percussion. 4 tracks in all, including "Off The Rag", "The ... CD
An early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous ... CD
Randy plays beautifully on a set of blues-inspired tracks arranged by Melba Liston – working with horn players that include Teddy Edwards, Benny Powell, Wallace Roney, and Hamiet Bluiett to come up with some really striking tunes that differ greatly from a lot of his other classic work! ... CD
About as classic as you can get for Ben Webster on Verve Records – a nicely mature, nicely laidback session that really captures the energy promised in the title! The sidemen are all in an easygoing, soulful mode – Oscar Peterson on piano, Herb Ellis on guitar, Ray Brown on bass, and ... CD
A return to funky grooving for Medeski, Martin, & Wood – and a slamming set that really captures the energy of the group in performance! The trio move effortlessly through tight Hammond grooving and off-beat jazzy piano work, riffing hard in the jam-band mode that's made them a huge ... CD