This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
An important early album from reedman Mats Gustafsson – and one that has him working with older free jazz giants Barry Guy on bass and Paul Lovens on a range of percussion instruments, including a musical saw! Mats is clearly the star of the set – already an amazing master of tones, ... CD
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work ... CD
Powerful work from the Free Music Ensemble of Ken Vandermark, Paal Nilssen-Love, and Nate McBride – a set recorded in Oslo with the intensity of some of the older power trio sessions from the Scandinavian scene! Vandermark, as always, is a commanding presence on reeds – blowing with ... CD
A mighty mighty album that recalls the glory days of the FMP scene – a triple-talent terror that features the massive reed work of Mats Gustafsson, Ken Vandermark, and Peter Brotzmann! Given that Gustafsson and Vandermark are the two key heirs to the sound that Brotzmann first forged back in ... CD
Some of the most beautiful, introspective work we've heard in years from Ken Vandermark – spare duets with pianist Pandelis Karayorgis – done in a mode that almost recalls the best experiments of Lee Konitz or Jimmy Giuffre from many years back! The sound is spare, but never too sleepy ... CD
One of Lonnie Liston Smith's most spiritual sessions, and the record that most clearly shows his roots with Pharoah Sanders! The vibe here is much more jazz-based than on some of Lonnie's other records for Flying Dutchman – with Smith playing as much acoustic piano as he does electric, using ... CD
Bracing work from a trio of young moderns – Steve Swell on trombone, Rob Brown on alto sax, and Daniel Levin on cello! The album's partially under Swell's leadership, as half the tunes are his own compositions – but some of the best numbers here are improvisations, which are equally ... CD
Percussionist Phillip Wilson's got his name on the cover, but the set's a very collaborative outing with trumpeter Olu Dara – recorded in Paris by Jef Gilson with a very free-thinking, open style that bridges both American and European modes of free jazz at the time! Wilson plays both a ... CD
Billy Bang has always been one of the most incredible players on his instrument – a jazz violinist who could take the strings into freely creative territory, yet also somehow manage to swing – a balance that nobody ever seemed to manage as well as Bang! And while Billy's work in groups ... CD
A real gem from Lonnie Liston Smith's early years in the studio – and a record that's perhaps a bit more "cosmic" than it is "funk" – but that's why we like it so much! The session has Lonnie stretching out a bit more than usual – borrowing some of the ... CD
A lost legacy in spiritual jazz – two albums recorded by a Boston group who worked far from the limelight in New York – in a very underground scene where they recorded these two very special albums in the 70s! Their sound is very collaborative and freewheeling – an approach that ... CD
One of the best posthumous releases by the legendary John Coltrane Quartet – and a set that really captures the group at a perfect moment – when they were really beginning to stretch out a lot, yet still in a style that was mostly inside! The material was recorded in Berlin and ... CD