This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
The quintessential sound of late 60s Horace Silver – on one hand still very much in the Blue Note soul jazz groove that earned him plenty of jukebox single play, but on the other hand really stretching out with a style that's a bit more righteous than before! Horace shows that he can still ... CD
A great Horace Silver album – and one of the rarest! The record features some top-line material that virtually defines Silver's post-Jazz Messengers sound – tracks that come out with a hard and heavy groove, yet which also have a lightness in the mix too – a sense of play and ... CD
A hokey cover, a hokey title, but a surprisingly great little record – Horace Silver's first quintet session in many many years, and a record that comes across with a really lyrical sense of soul! And sure, the album's not one of his classics for Blue Note, but the format is quite the same ... CD
A great statement from vibist Milt Jackson – one of his key solo sessions in a great 60s run of recordings away from the Modern Jazz Quartet! Like the classics that followed this one, the vibe is much more soulful than any of Milt's records with the MJQ – kind of an extension of the ... CD
Head to head blowing from Sonny Sitt and Paul Gonsalves – just the kind of twin-horn performance that Stitt was famous for in his live battle days, and one that also reminds us that Gonsalves can be a very loose swinger when he wants to be! The tracks are all long, and played with the sort ... CD
Drummer Roy Haynes always brings something great to the table for any album he does as a leader – and this record is no exception! Here, the "added something" is the presence of Roland Kirk on reeds – offered a key early chance to express his most modern ideas in the freedom ... CD
A very soulful set of big band material from Quincy Jones – recorded during that tight early 60s period when his arrangements just couldn't fail! The album's his only session for Impulse, and it's got a slightly deeper style than his work from the time for Mercury – a bit more ... CD
Classic Shirley Scott – in her best mode of the 60s! Here's the reasons: 1. The group features husband Stanley Turrentine on tenor, adding in some nice extra tones to Shirley's usual trio! 2. The rhythm section is Bob Cranshaw and Otis Finch – surely one of Shirley's best. 3. The ... CD