They're not lying with the title of this great little set – as Don Elliott blows his unique horn with a very mellow tone! The instrument is kind of a bigger version of a flugelhorn – and is used by Don in a laidback combo that also features trombone from Billy Byers, trumpet from Howie Reich, and baritone sax from Danny Bank – all deep sounds that set up a bank of color for Elliott to work with in his most vivid way. Other players include Hal McKusick on alto and flute – but working without as much of the sharper, cutting tones of other 50s albums – and rhythm is from Barry Galbraith on guitar, Milt Hinton on bass, and Mel Zelnick on drums. Titles include "Sposin", "The Lamp Is Low", "Mellophone Mambo", "Summer Setting", and "With The Wind & The Rain In Your Hair". (Original red label pressing with deep groove. Cover has a small center split on the top seam.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.