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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The mighty '69 self-titled set from Deep Purple – not as metallic or hard rock radio ready as their subsequent hit LPs – a deep effort that combined walloping intensity with a far flung blend classical element, proggy changes and bluesy rock! Deep Purple moved on to a much more ... LP, Vinyl record album
The birth of a legend, and easily one of the heaviest records to hit the mainstream in the late 60s! The album's got a sinister quality that you can hear on the first few notes – a low-end, rumbling approach that brings in a lot more fuzzy bass than other groups of the time had ever thought ... LP, Vinyl record album
Roxy Music's third album, and a record that really shows that the group have found a tremendous voice of their own – quite a thing to do, given the heady brew of records that were coming out in the year of 1973! There's a style here that's familiar enough to draw the listener in – ... LP, Vinyl record album
Tony Joe White's terrific self-titled set for Warner in '71 – his swamp rock mastery in full swing by this point, and all the cooler on a record that finds hip working with some occasional horns and lush bits of strings! There was really no finessing the grit out of the Tony Joe show, so the ... LP, Vinyl record album
A landmark live set from the Rolling Stones – featuring material from their smoking tour of 1969! The set really captures the Stones at their most nasty – that great turning point when their edge was maybe sharpest of ever, right in the best Let It Bleed mode – but with even more ... LP, Vinyl record album
A rawer Badfinger emerges on Ass – self-produced with a no frills vibe that was apparently something of a controversial way for the boys to record at the time, as Apple initially rejected it. It sounds like great rock & roll to us! Sweet melodies and tuneful songs are still the order of ... LP, Vinyl record album
Mick Ronson's first and probably best solo album – '74's Slaughter On 10th Avenue – an adventurous set of glam pop that's both weird and catchy, naturally featuring some fantastic guitar pyrotechnics. Fascinatingly, Ronson starts the record with a crooning cover of "Love Me ... LP, Vinyl record album
One of the most electronic albums that Beaver & Krause ever recorded – a set that was issued as a Guide To Electronic Music, but which has a way more to offer than just a simple demonstration record! Unlike most other B&K albums, which can feature a bit of rock mixing in with the ... LP, Vinyl record album