This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Features Benny Golson, Branford Marsalis, James Carter, and fellow tenor Harold Ashby performing tracks made famous by Lester Young, Stan Getsz, Sonny Rollins, John Coltrane, Dexter Gordon, and others. CD
Always-great work from Benny Golson – one of the few talents from the 50s who can still catch fire on a modern jazz recording! The title might make you think the set's a tribute to Clifford Brown, but it's more of a set of tightly arranged tracks that recall the fresh Modern Touch-era sound ... CD
Features Benny and Ron Blake on tenor, John Swana on trumpet, and Mike LeDonne on piano! Also includes Peter Washington on bass, Joe Farnsworth on drums, and Tito Puente and Patato Valdes on percussion. CD
A wonderful small combo session from tenorist Benny Golson – one of a few key albums like this from the early years! Although Golson is perhaps best known as a lively arranger in the modern idiom, he's also a kick-ass tenor player when he wants to be – and on this classic, he ... CD
A wonderful small combo session from tenorist Benny Golson – one of a few key albums like this from the early years! Although Golson is perhaps best known as a lively arranger in the modern idiom, he's also a kick-ass tenor player when he wants to be – and on this classic, he ... CD
The modern touch indeed! You can't get any more classic Benny Golson than this – a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, ... CD
The modern touch indeed! You can't get any more classic Benny Golson than this – a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, ... CD
Rare French jazz from the late 50s and early 60s – previously issued only as 7" eps, and finally properly issued for the first time! The standout material here is by Sonny Criss – pulled from 2 different eps issued in 1963, recorded when he'd dropped out of the LA scene, and was ... CD
Later work by this famous French jazz violinist – recorded in two sessions, one with Eddy Louiss on organ, plus piano by Maurice Vander, drums by Daniel Humair, and bass by Luigi Trussardi; and another with a similar lineup, plus guitar by Jimmy Gourley, and Guy Pederson on bass instead of ... CD
Lester Young joins the Oscar Peterson trio – and the result is a classic meeting of the minds from early 50s Verve! Young's tone is tremendous throughout – that sharp-yet-cool style that had such a big influence on other 50s players, and which gets some great support here from Peterson' ... CD