This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A rare one from singer Pat Morrissey – a sexy late 50s nightclub singer with a bit of a jazzy bent. The record's not going to knock Sarah Vaughan out of your collection, but Pat's got a warm intimate style of singing that makes the material stand out more than the usual vocal session from ... LP, Vinyl record album
A great early set from singer Ernestine Anderson – material recorded in Sweden with a sound that's even more sweetly swinging than some of her American albums of the time! The backings on most tracks are by Harry Arnold – one of the hippest Swedish leaders of the time, and an arranger ... LP, Vinyl record album
The final Johnny Mathis album for Mercury Records – and one of our favorites from the time! There's a nice little bounce to some of these cuts that really opens Johnny up – a style that's never too groovy, but which brings in some slight 60s syncopation to the rhythms – albeit in ... LP, Vinyl record album
A split album that features 4 tracks by Carmen McRae with the Mat Mathews quartet, plus 4 more obscure numbers by Julie London, recording with the quartet of Tony Scott. The McRae material is some of her best jazz work from the time – cut in that perfect small group vocal mode that was one ... LP, Vinyl record album