Charlene Bartley : Weekend Of A Private Secretary (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Weekend Of A Private Secretary

LP (Item 477467) RCA, 1957 — Condition: Near Mint-
One of our favorite 50s vocal albums from RCA – a hip little set by the lesser-known Charlene Bartley – and one with a fair bit of jazz and Latin elements as well! The title track alone is worth the price of admission, but the rest of the numbers are equally great too – and include some lesser-known gems next to interestingly-arranged standards – all a cut above the usual for the time. Of course, Charlene gets some great help here from Tito Puente, who arranged some tracks with a Latin flair, and Hal McKusick, who arranged others with a slightly modern undercurrent – both slightly unlikely talents for such a record, but that's another part of its appeal! Titles include "The Weekend Of A Private Secretary", "Sand In My Shoes", "Orchids In The Moonlight", "She Didn't Say Yes", "Moon Over Miami", "I've Got A Crush On You", "Mixed Emotions", "Memories Of You", and "That's For Me".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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