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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pretty darn important album for Wes – as it was his first session with the sort of larger arrangements that would later make him huge! Although Montgomery was mostly recording for Riverside in small combos, this session has him playing in front of larger backings by Jimmy Jones – not ... LP, Vinyl record album
Beautifully lofty work from the great Wes Montgomery – a set that was recorded quite late in his too-short career, and really points the way towards some of the sophisticated sounds that might have followed, had Wes not left this planet all too soon! Don Sebesky is at the head of the charts ... LP, Vinyl record album
Mindblowing! This is when Wes Montgomery really starts to get interesting to us – when he's working with a top-line arranger like Don Sebesky, crafting some incredibly compelling chords over lightly jazzy arrangements and soaring strings, in a whole new mode of expression that would go onto ... LP, Vinyl record album
Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – ... LP, Vinyl record album
A classic set to feature the Bill Evans Trio with the great Scott Lafaro on bass and Paul Motian on drums! Listening to the set we're reminded of what always brings us back to Evans' playing – a quality that's often described as moody, but which is really is quite spry and lively throughout ... LP, Vinyl record album
An unusual set that prefaces Charlie's recordings for Columbia – a trio side that also adds in chorus vocals on a number of cuts, creating a nice warm pillowy backdrop that's a perfect juxtaposition to Charlie's spare and raspy sound on the acoustic guitar. And just because we use "pillo ... LP, Vinyl record album
A wonderful stripped-down set of piano work from Duke Ellington – presented here in an obscure set of duets recorded with Billy Strayhorn in 1950, finally issued as a full package by Riverside in the mid 60s – at a time when more folks seemed to be paying attention to Duke's stylings on ... LP, Vinyl record album
One of the more ambitious records ever cut by guitarist Charlie Byrd – a set that begins with a side-long suite of tracks – the "Blue Sonata", which features Byrd playing in a much more complex way than usual! The sonata features three parts, all composed by Byrd, and Charlie ... LP, Vinyl record album
An interesting issue of earlier small group material from some Duke Ellington sidemen in a few different settings – most led by trumpeter Rex Stewart, and featuring Lawrence Brown on trombone, Barney Bigard on clarinet, Joe Thomas on trumpet, Ted Nash on tenor, and Harry Carney on baritone. ... LP, Vinyl record album
"Dynamic" is right – as Rod's one of the hippest large group arrangers of his time! The album's a really wonderful record that features Rod leading an octet with a distinctly modern touch – almost building off the styles of Kenton groups of the 50s, but with more of the ... LP, Vinyl record album