Richie Havens : End Of The Beginning (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

End Of The Beginning

LP (Item 411270) A&M, 1976 — Condition: Very Good
Richie Havens is way past the folksy mode of his roots by this point – working in a set of smooth arrangements by William Smitty Smith and Booker T – a style that mixes electric touches with Havens' still-raspy vocals, an approach that's a bit like that used on some of Bill Withers Columbia Records, put possibly even a bit more mainstream here. The real issue almost seems to be the choice of songs – as the record features covers that occasionally seem a bit ill-placed, but which come off as nice oddities at the best moments – like Richie's versions of "Do It Again" and "Long Train Running". Other titles include "We Can't Hide It Anymore", "I Was Educated By Myself", "Daughter Of The Night", and "If Not For You".  © 1996-2024, Dusty Groove, Inc.
(White label promo. Includes the printed inner sleeve. Cover has a promo sticker, cutout hole.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Pussycat Dolls

PCD
A&M, 2005. Near Mint-
(Pink vinyl promo in a stickered sleeve.) LP, Vinyl record album
A&M/CTI, 1968. Sealed
Fantastic work from Tamiko Jones – one of the more enigmatic soul singers of her generation! Tamiko could always handle a number of styles – and on this set, she moves between jazz and deep soul, working through a set of tracks that were recorded at either Sam Phillips in Memphis, or ... LP, Vinyl record album

Jeffrey Osborne

Don't Stop
A&M, 1984. Very Good+
(Includes the printed inner sleeve.) LP, Vinyl record album
A&M, 1980. Very Good+
A sweet bit of fusion-tinged soul – produced with a sunny Hawaiian groove by George Duke, and featuring some of the tightest tunes from Seawind to date! Pauline Wilson sings lead vocals on the album – in a cool breezy mode that fits well with the compressed instrumentation of the album ... LP, Vinyl record album

Herb Alpert

Rise
A&M, 1979. Very Good+
A whole new level of genius for Herb Alpert – a record that's light years away from his earlier work with the Tijuana Brass, and which has the trumpeter stepping strongly into the world of smooth jazzy fusion! The title track here went platinum the minute it was released – and became ... LP, Vinyl record album
A&M, 1975. Very Good+
Early solo work from Carl Graves – a Canadian soul artist who was first heard with the band Skylark, but who sounds pretty darn nice on his own! Carl's got a free and light voice that works well with the tightly crafted arrangements of the set – kind of a real mix of styles, but one ... LP, Vinyl record album

Lani Hall

Sun Down Lady
A&M, 1972. Very Good+
The beautiful first solo album by Lani Hall – recorded after years of work with Sergio Mendes in the Brasil 66 group – and done in a style that certainly reflects her great vocals with that ensemble, yet which also expands her sound tremendously! The set was arranged and produced by ... LP, Vinyl record album

Laid Back

Keep Smiling
Sire, 1983. Sealed
It takes a record like this one to remind us just what a magical crossover time the post-disco, post-punk days of the early 80s could be! Take two white guys from Denmark – Tim Stahl and John Guldberg – give them a drum machine and some funky beats, and out comes the breakdance classic ... LP, Vinyl record album

Curtis Mayfield

Got To Find A Way
Curtom, 1974. Very Good+
A great album that's often overlooked amidst the flurry of early 70's releases on Curtom, but which stands as one of Mayfield's greatest from the 70s! In fact, we'd say that the album's one that we enjoy putting on more than most – because the songs are less familiar, and not nearly as ... LP, Vinyl record album
Kapp, Mid 60s. Near Mint-
The one and only album by The Unifics – and a beautiful precursor to the solid group sounds of the east coast early 70s. The group's got some wonderful harmonies – still raw, but showing the strength of smooth production to hit some very strong moments. Arrangements are by Richard ... LP, Vinyl record album

Patrice Rushen

Patrice
Elektra, 1978. Near Mint-
A sweeeeeet groover by Patrice Rushen – her first album for Elektra, and a stunning blend of funky jazz and soul! The record really has Patrice stepping out from her earlier years at Prestige – working in some surprisingly great vocals next to tight lines on Fender Rhodes, synth, and ... LP, Vinyl record album

T-Connection

Magic
Dash/TK, 1977. Very Good+
Plenty of Magic here from T-Connection – a clubby set of tracks, yet one that's still put together more like a funk combo record from the mid 70s! The instrumentation is mindblowing – impeccable guitar and basslines, set to snapping rhythms that really capture the best Miami funk mode ... LP, Vinyl record album
 



⇑ Top