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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Off The Roger Troutman tribute album, with TWDY featuring Too Short and Dolla Will on "Cali 4 Ni Yey" and ALT, JV, Cisco, Mr Gee, Baby Beesh, C Blunt, Sure 2 B, and Bigg Robb on "Player's City". 12-inch, Vinyl record
Before Jazzie B and Soul II Soul really opened people's eyes to modern UK soul, Carl McIntosh and Loose Ends were there. This single off the Zagora LP nicely hangs in their template of mid-tempo, almost stepper's electronic drum patterns, jazzy keys and soulful vocals. 12-inch, Vinyl record
One of Arthur Baker's shining moments – a poppy little tune, to be sure, but with a tight electro groove that's stood up a lot more than we would have thought at the time! Not strictly Hip Hop, but definitely an '80's breakin'/electro/dance classic (like the tracks on the Tommy Boy Perfect ... 12-inch, Vinyl record