This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Patrick Adams and Greg Carmichael hit the hip hop era – taking the funky disco grooves of the Bumblebee Unlimited group, and turning them on a sort of old school party cut, with a bit of that Sound Of New York feel. 12-inch, Vinyl record
One of the most romping tunes ever recorded by Prince – the kind of cut that was an instant dancefloor stormer back in the day, and still sounds mighty groovy all these many years later! The song is featured here in it's very extended version – and is backed by the fantastic non-LP cut ... 12-inch, Vinyl record