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Woody Herman's Big New Herd At The Monterey Jazz Festival

LP (Item 33350) Atlantic, 1959 — Condition: Near Mint-

Proof that Woody Herman kept on burning hard, long after the 40s – continuing to work in great new modes, with the best players he could find! There's a touch of 60s grooviness to the record – mixed with some older California modes – and the lineup features massive tenor work from Zoot Sims, Bill Perkins, and Richie Kamuca – all of whom really know how to soar out of the larger group when needed, yet come together with that tightness that made Herman famous, back in the day! More modern touches come from Victor Feldman on vibes and piano, and Charlie Byrd on guitar – adding a nice dimension not always heard with the earlier Herman group. The live setting allows for some sweet longer numbers with more solo space – like "Monterey Apple Tree" and "Like Some Blues Man" – as well as some shorter tight numbers in the band's ensemble style – like "The Magpie", "Skoobeedoobee", and a reading of "Four Brothers".  © 1996-2020, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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