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Woody Herman's Big New Herd At The Monterey Jazz Festival

LP (Item 33350) Atlantic, 1959 — Condition: Very Good
$1.99 ...

LP, Vinyl record album

(€1.78 || £1.31 || ¥238) (approx.)
4.70 5

Proof that Woody Herman kept on burning hard, long after the 40s – continuing to work in great new modes, with the best players he could find! There's a touch of 60s grooviness to the record – mixed with some older California modes – and the lineup features massive tenor work from Zoot Sims, Bill Perkins, and Richie Kamuca – all of whom really know how to soar out of the larger group when needed, yet come together with that tightness that made Herman famous, back in the day! More modern touches come from Victor Feldman on vibes and piano, and Charlie Byrd on guitar – adding a nice dimension not always heard with the earlier Herman group. The live setting allows for some sweet longer numbers with more solo space – like "Monterey Apple Tree" and "Like Some Blues Man" – as well as some shorter tight numbers in the band's ensemble style – like "The Magpie", "Skoobeedoobee", and a reading of "Four Brothers". (Black label pressing, with the Long Playing Unbreakable logo and deep groove. Cover has a spot of tape in one corner, a small split on the bottom seam, and a bit of pen on the back.)  © 1996-2015, Dusty Groove, Inc.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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