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Walking In Space
LP (Item 32001) CTI/A&M, 1969 — Condition: Near Mint- Gatefold
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A pivotal album not just in the career of Quincy Jones, but in the development of the CTI Records sound as well – as this all-star effort is a perfect blend of all the hippest currents that were cooking up in the scene at the time! At one level, the record has Quincy taking back some of the sophisticated currents he was developing in soundtrack work of the 60s, but moving back to jazz – more groove than before, and more of a sense of space and timing – which is carried off by an excellent lineup that features plenty of electric piano from Bob James, plus work from Hubert Laws on flute, Eric Gale on guitar, Freddie Hubbard on trumpet, and Toots Thielemans on guitar and harmonica. There's also added soulful vocals at a few points too – more chorus than lyrics, at a level that hints at the jazz/soul crossovers that Quincy would do in the 70s – on a set of tracks that's completely sublime, with titles that include "Killer Joe", "Dead End", "Walking In Space", and "Love & Peace". © 1996-2024, Dusty Groove, Inc.
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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