Clifford Jordan & John Gilmore : Blowing In From Chicago (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Blowing In From Chicago

LP (Item 31848) Blue Note, 1957 — Condition: Near Mint-
Also available
Clifford Jordan & John Gilmore — Blowing In From Chicago ... CD 7.99
Clifford Jordan & John Gilmore — Blowing In From Chicago (RVG remaster edition) ... CD 6.99
A landmark session that features two of the greatest tenor talents to emerge from the rich Chicago scene of the 50s! Jordan was well-known to jazz fans, or would be within a few years – but Gilmore's rarely heard in this sort of setting, as most of his recording career was spent in the company of Sun Ra's Arkestra. The record features the duo in a twin-tenor frontline, with backing by Horace Silver, Curly Russell, and Art Blakey. Ostensibly a blowing session, but much tighter than you'd expect – and with a hard heavy Blue Note groove. Titles include "Evil Eye", "Status Quo", "Bo-Till", and "Blue Lights".  © 1996-2024, Dusty Groove, Inc.
(Mid 90s mono 180 gram Connoisseur Series reissue. Cover has bumped corners.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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