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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the best CTI albums from the early 70s – and one of Stanley Turrentine's funkiest records as well! The album's got a sharper edge than most other Turrentine albums of the time – a quality that goes beyond Stan's already soulful approach to the tenor, and which brings in some ... LP, Vinyl record album
One of the moodiest sessions on CTI from the early days – and a landmark album that took George Benson from the funky jazz scene into the upper reaches of 70s jazz. The record was put together by Don Sebesky, and it's a lot more high concept than some of George's earlier work – and ... LP, Vinyl record album
A million-seller, but also a record that no home should be without – and easily one of THE greatest keyboard albums of the 70s! The album's the one that features Deodato's remake of "Also Sprach Zarathustra" into the funky "2001" – soaring with Fender Rhodes lines ... LP, Vinyl record album
A sweet funky classic from George Benson – featuring dope arrangements by Pee Wee Ellis, all with a groovy Kudu-type sound! George is the main soloist – but the group is super-hip, with Harold Mabern on electric piano, Frank Foster on tenor, and a little bit of extra guitar from Earl ... LP, Vinyl record album
A stunning 70s set from the great Paul Desmond – one that has the tremendous alto player finding an even fresher groove than before – yet all without losing any of the class and control that made him so great in the 50s and 60s! Don Sebesky arranged the set, but most of the ... LP, Vinyl record album
Darkly imaginative work from the great Lennie Tristano – and one of the few full albums he ever cut as a leader! The record features the incredible track "Turkish Mambo" – which has Tristano overdubbed 3 times in this dark modal way that's totally amazing, and which will hook ... LP, Vinyl record album
A landmark record – both in 60s jazz and bossa nova – and a set that not only bridged worlds of music, but set the tone for so many other albums to come! By the time of this 1964 set, Stan Getz had already issued a few bossa nova experiments on Verve – but this pairing with ... LP, Vinyl record album
A great little record – one of Houston's most successful for Prestige! The album follows strongly in that late 60s pre-funk mode that Prestige was cooking up – tight and groovy, with electric bass dropped into the mix, electrifying things a bit, but still really just grooving in a ... LP, Vinyl record album
Groovy session that features this star tenorist of the Jack McDuff group as the leader, but which also has the same group backing him up – including McDuff on organ, George Benson on guitar, and Joe Dukes on drums. The set list has a good batch of originals, with the same sort of groove and ... LP, Vinyl record album
Excellent set of LA hardbop tracks by the great tenor player Teddy Edwards, with a group that includes Joe Castro, Leroy Vinnegar, and Billy Higgins. Edwards' tone is fantastic, and the tracks give him a chance to show off his soloing talent in a way that he didn't always reach on other recordings. ... LP, Vinyl record album