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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Heavy-jamming fusion from Billy Cobham – done at a time when he was already cutting plenty of heavy-jamming fusion! The album was recorded live in Switzerland and London – all very much in a post Bitches Brew approach to jazz that has all players going pedal to the metal in pursuit of ... LP, Vinyl record album
A masterful album from Billy Cobham – and maybe the best 70s record to really demonstrate the unique place he found for himself in 70s fusion! The album soars with a sound that really lives up to its cover image – but it's also not the heavy-jamming affair of some of Billy's more ... LP, Vinyl record album
One of the grooviest 60s live albums from Herbie Mann – done in a style that's a bit different from the rest! Herbie cut many successful live albums for Atlantic, most of them with a hard wailing soul jazz groove – but this one's a nice batch of mellower bossa tunes, played at the ... LP, Vinyl record album
Arguably the best solo record that Joe Zawinul ever cut – and one of the few to really show him working in the soulful style that he had with Cannonball Adderley's famous 60s combo! The record features Joe on piano – stepping out on cuts that still have all the soul jazz currents that ... LP, Vinyl record album
Includes "Margot", "Love No 1", "Tones For Joan's Bones", "This Is New", Lazy Bird", "In Your Own Sweet Way", "Einbahnstrasse" & "Doom". LP, Vinyl record album
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the ... LP, Vinyl record album
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics ... LP, Vinyl record album
Eddie moving into a righteous funk vein – but still keeping things nice and electric! Some tracks feature a larger group, and others have a small combo – but Eddie's sound is still great, especially on Varitone, and other players are pretty soulful, like Paul Humphrey, Cedar Walton, ... LP, Vinyl record album
Angular Monk meets hard-driving Art Blakey – in a session that's quite unique, and which has gone onto become one of the best-remembered Atlantic jazz sessions of the late 50s! The album features Blakey in that key non-Blue Note year of 1957 – a time when he was working with a variety ... LP, Vinyl record album
Hank's blowing it in that stock soulful style he used with Ray Charles – over slightly larger arrangements that feature players like Wendell Harrison, David Newman, Melvin Latiste, and Carl Lynch. Jack McDuff plays piano on "In The Heat Of The Night", and other tracks include " ... LP, Vinyl record album
An unusual session from the great Clare Fischer – although probably his best-known record as well! Clare cut many other jazz sides in a smaller, more intimate setting – but this album features his full talents as a larger arranger – working with a hip ensemble, and turning in ... LP, Vinyl record album