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Slippin' & Dippin'

LP (Item 2714) De-Lite, 1980 — Condition: Near Mint-

A wonderful female soul trio from the Chicago scene of the 70s – and one we'd stand strongly next to the best gal groups from the Philly or New York scenes! In fact, Coffee were a bit unique in the city – which mostly had male groups getting the record contracts during the decade – and they're given strong soul focus here by Clarence Johnson, the indie soul producer who'd given the city so much other great music over the years! The album's definitely got a disco vibe, but these gals can sing a lot deeper than the usual club trio, too – vocals that are much more trained in an older school mode, ala The Emotions – and which come across nicely on some of the mellower cuts too. Titles include great reworkings of two earlier Chicago soul gems – the Lovelites' classic "How Can I Tell My Mom & Dad", redone as "Mom & Dad 1980", and a fresh new take on Ruby Andrews "Casanova". Other titles include "Slip & Dip", "A Promise", "I Wanna Be With You", and "Can You Get To This".  © 1996-2020, Dusty Groove, Inc.
(Vintage UK pressing, in great shape.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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