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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Frankie goes for the charts, but still with a very nice groove – and a deep bubbling under kind of sound that stays true to his Chicago roots! Still wish he would have used a real whistle, though! 12-inch, Vinyl record
A rare promo single featuring "Rigor Mortis" – one of Cameo's best tracks ever! The cut's got a funk vamp on the intro that you'll recognize from sampling instantly – and the whole thing's a nicely compressed joint with a full-on sound that the band rarely ever duplicated! 12-inch, Vinyl record
Nice early stuff from El Coco – with more of a funky sound than later work! "Let's Get it Together" is a nice club groover, stretched out to 6 minutes here – with some great keyboards drifting in and out of midtempo beats – almost in a P&P sort of mode, but a bit ... 12-inch, Vinyl record
An excellent groover from the late Brunswick years – and the standout classic from this youthful club ensemble! The track's got a great snapping groove that's almost in the rollerskating mode – guitars riffing along with the groove, and vocals falling right into place with an ... 12-inch, Vinyl record
Old school track from Sugar Hill's female trio that does not feature the classic Sugar Hill rhythm section, but instead uses a more synthetic sound, along the lines of maybe the Dazz Band. 12-inch, Vinyl record
One of the all-time great jazzy soul tunes! Gene Dunlap cut this little gem with backing vocals by The Ridgeways for his 1981 album It's Just The Way I Feel – but the tune has outlasted the album for years, and is a big favorite with steppers even into this century. It's backed by the ... 12-inch, Vinyl record
One of the most romping tunes ever recorded by Prince – the kind of cut that was an instant dancefloor stormer back in the day, and still sounds mighty groovy all these many years later! The song is featured here in it's very extended version – and is backed by the fantastic non-LP cut ... 12-inch, Vinyl record
A great single from Aural Exciters – a hip New York ensemble from the late 70s, one of the seminal groups of the downtown post-disco crossover scene! The tracks feature work by August Darnell, James Chance, Bob Blank, Taana Gardner, and Coati Mundi – and is very much in the playful ... 12-inch, Vinyl record
Pre-Mercury work by Heaven & Earth – cut with a sound that's a bit rougher, but still pretty darn nice! The group exhibit their strength in both the ensemble funk mode and the group harmony style – and the single's a nice piece of the puzzle for their early career! 12-inch, Vinyl record
A classic club track by this Roy Ayers side project – presented here on an original Uno Melodic 12" single! Roy wrote the track with Edwin Birdsong, and it's got a lot of nice popping and quirky funk bits, similar to Edwin's "Rapper Dapper Snapper", of the same vintage. 12-inch, Vinyl record