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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Old school track from Sugar Hill's female trio that does not feature the classic Sugar Hill rhythm section, but instead uses a more synthetic sound, along the lines of maybe the Dazz Band. 12-inch, Vinyl record
A killer single from Trouble Funk, on Sugar Hill, with the band's trade mark percussive riffing, and as you'd expect from go go, loads of nice fills and breakdowns all centered around a fat rolling bass pedal groove. 12-inch, Vinyl record
Hit work from the legendary Peter Brown – a key player in far more club sides than we can remember, but a real chart-topper with this one! You may know the a-side, which is offered here in a nice long take with a drum break in the middle – but don't miss "Burning Love", which ... 12-inch, Vinyl record
Back in the day, Chicago never had much of a rap scene – which is why it was so easy for Chicago radio DJ Casper to score big with this little groover on the AVI label! The cut's actually not bad as sort of a funky clubby track – and Casper's rapping style reminds us a lot of Gary Byrd ... 12-inch, Vinyl record
Frank Hooker and his group take on Philly International with "I Wanna Know Your Name" – all in a homegrown style that's a bit less dramatically soulful than The Blue Notes, but which still has some nice harmony moments on the chorus. "This Feelin" is back to the group's ... 12-inch, Vinyl record
Early 80s slap bass funk – of the sort that was showing up on the Liberty label at the time, and which here comes across pretty well. The best cut is "Love Is On The One", which has a catchy sing-song groove, and a very nice hook. Both tracks from the Point of Pleasure LP. 12-inch, Vinyl record
A funky funky thumper from Barry White – and one of his last truly genius tracks! "Ecstasy" is presented here in a long long version that lets the tune's initial bass and drum interplay stretch out magnificently – sliding and slinking along in a classic White-styled groove, ... 12-inch, Vinyl record
Ahhhhhhhhhh . . . Freak Out! What can we say? The cut's a monster – silly to be sure, but still with a choppy dancefloor groove that gets 'em every time! Nile Rogers, if you'd only stuck to guitar riffing like this, you'd have become President! 12-inch, Vinyl record
Gene's hit his modern soul stride on this one – grooving nicely on "I'll Make The Living", done in a smooth voiced approach that shows yet another chapter in his rich career as a singer! 12-inch, Vinyl record