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Makin' The Changes
LP (Item 23037) New Jazz, 1957 — Condition: Very Good
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Sweet and to-the-point work from a young Jackie McLean – the kind of hard-burning yet slightly-modern work he recorded best for Prestige in the late 50s! The album's a bit of a blowing session outing – with 2 different group, one a sextet with Curtis Fuller, Webster Young, and Gil Coggins; the other a quartet with Mal Waldron on piano – but thanks to the strong tone and vision of Jackie, there's a really unified feel to the set, and an edginess that makes the whole thing hang together nicely. The tracks are long and soulful, and recorded with a resonant quality that makes the tunes echo out even more. Titlesinclude "Bean & The Boys", "Jackie's Ghost", "I Never Knew", and "Chasin' The Bird". © 1996-2024, Dusty Groove, Inc.
(OJC pressing. Cover has light wear and lightly bent corners. Vinyl is clean, but has two small marks that click for a few spins during "I Hear A Rhapsody" and "Jackies Ghost".)
(OJC pressing. Cover has light wear and lightly bent corners. Vinyl is clean, but has two small marks that click for a few spins during "I Hear A Rhapsody" and "Jackies Ghost".)
Very Good
- Vinyl can have some dirt, but nothing major.
- May not shine under light, but should still be pretty clean, and not too dirty.
- May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
- May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
- This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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