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Blues Is Now

LP (Item 22947) Verve, 1967 — Condition: Very Good
Gatefold

A much groovier set than usual from vocalist Jimmy Witherspoon – thanks to some great backing from the combo of organist Jack McDuff, which also includes guitar from a young Melvin Sparks! The sound here is definitely in keeping with the "blues" in the title – but McDuff's instrumentation brings in a fair bit of jazz as well – and really opens up the tunes with some of the playful rhythms he was laying down on his own records for Prestige in the 60s. And as usual, Witherspoon proves that he's every bit as much a jazz singer as a blues vocalist – by changing things up nicely on most of the tunes, and bringing in inflections that go way past a typical bluesy singing mode. The whole thing's nice and lively, with a really unique feel that's all its own – and titles include "Sweet Slumber", "My Money's Long This Morning Baby", "Part Time Woman", "Late One Evening", "SK Blues", and "Past Forty Blues".  © 1996-2020, Dusty Groove, Inc.
(Blue label mono pressing. NOTE: Cover has staining and peeling on the bottom 3 inches.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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