Joe Lee Wilson & Bond Street : Shout For Trane (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Shout For Trane

LP (Item 17556) Why Not/Trio (Japan), 1976 — Condition: Near Mint-
Maybe the best Joe Lee Wilson album you can ever get! Joe Lee Wilson's got a spiritual jazz vocal style that's in the vein of Leon Thomas, but which often falls short of Thomas' greatness on other recordings – yet here, though, he's totally great – hitting a beautifully soulful vein that's totally righteous, and which really delivers on the promise you'll hear on his other records. The group's quite tight – the Bond Street combo, which includes Fielder Floyd on trumpet, Monty Waters on alto and soprano, and Shiroh Mori on guitar – and the session was released by the hard-to-find Why Not imprint of the Japanese label Trio, making it one of the more obscure records in Wilson's catalog. The set steps off with an amazing take on Billy Gault's "Mode For Trane" – and other titles include "Song For My Father", "One ", "Four", and "Sophisticated Lady".  © 1996-2024, Dusty Groove, Inc.
(Original pressing! Includes insert. Cover has a small bit of tape on the top seam, but looks nice overall.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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