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(Original Japanese pressing, with obi and insert. Cover has bumped corners and is lightly bent near the opening.)
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
On The Line has a style that's a bit keyboard-heavy – in a way that seems to borrow from some of the 80s soundtrack work of the time, and which is clearly a nod to the success of the Lyle Mays/Pat Metheny sound that was breaking big on ECM. The move is a nice one for Lee on the best cuts ... LP, Vinyl record album
Few people did soulful fusion better than Lee Ritenour back in the early 80s – and the guitarist always seemed to find a way to really link together all the different sounds of the electric genre – from heavy jamming to soulful grooving to a rock-like appreciation for a good hook! ... LP, Vinyl record album
A masterful fusion set from guitarist Lee Ritenour – one that expands his sound a bit more than usual by adding in vocals on a number of tracks – but in a way that really gets at the mainstream soul influences that bubble through his jazz work! The set features key vocal appearances ... LP, Vinyl record album
Smooth jazzy fusion from Lee Ritenour – a classic set that was originally only released in Japan, part of the underground Japanese Fusion movement of the late 70s, famous for groove hounds for that added level of soul that often wasn't showing up in American releases at the time! The album ... LP, Vinyl record album
One of Dave's funkier albums of the time – with cuts that include "Captain Caribe", "Rondo", "City Lights", "Rag Bag", and "Mountain Dance". LP, Vinyl record album
With Katsutoshi Morizono and Kiyotsugu Amano on guitar, Yoshinori Kaketa on piano, DX-7, and Fender Rhodes, Kazuo Kimura and Akira Okazawa on bass, Tomihiro Maeda and Yuichi Togashiki on drums, Tadaomi Anai on percussion, and others. LP, Vinyl record album
With Patrice Rushen and Dave Grusin on piano and Rhodes proto-type, Lee Ritenour on guitar, Ernie Watts on saxophone and flute, Anthony Jackson on bass, Harvey Mason on drums, and Steve Forman on percussion. LP, Vinyl record album
Don Grusin on piano, keyboards and vocoder, Gary Herbig on saxophone, Oscar Castro-Neves, Lee Ritenour and Michael Sembello on guitar, Michael Boddicker on synth, Abraham Laboriel and Nathan East on bass, Alex Acuna on drums, and Efrain Toro and Steve Forman on percussion with Kate Markowitz on ... LP, Vinyl record album
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Herbie Hancock further expands his cosmic vision in this groundbreaking album of free-flowing fusiony tracks – a record that really steps up his range of keyboards, mixing in both acoustic and electric pianos, mellotron, and even a bit of spacey moog from the legendary Patrick Gleeson! The ... LP, Vinyl record album
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