This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Roy Ayers' biggest albums ever – and also one of his deepest, too! The whole thing's an incredible album of mellow jazzy soul – and it shows Roy at the crossroads, perfecting his earlier funk style with a sweet mellow R&B edge, getting a bit slicker, but still staying on the ... LP, Vinyl record album
One of our favorite Isaac Hayes albums from the post-Stax years – a wonderful late 70s set that has the man returning strongly to the mellow roots of his early solo years! Ike sounded great on his disco tracks at the time – but we really love his mature, laidback way of laying down a ... LP, Vinyl record album
James Brown really opens up on this early 70s classic – really showing the world the amazing groove he was crafting with his band – who were let loose to jam in the studio, spinning out some really long grooves – which were then cut down to make this sweet little record! The ... LP, Vinyl record album
James Brown gets even better than before – working here in the setting of a blacksploitation soundtracks – which makes the album a doubly funky outing from the 70s! James is a master throughout – beating Isaac Hayes and Curtis Mayfield at their own games – as he works with ... LP, Vinyl record album
One of the last great albums from James Brown! Not as totally sublime as Payback or some of the others from the 70s – but James is still working here with Fred Wesley and Dave Matthews – and many of the cuts retain the funk of a few years past. Case in point is the sublime "Funky ... LP, Vinyl record album
An amazing double-live album that's to concert records what James Brown's Payback was to the sound of studio funk! Like that classic, this is a double-length 2LP set that really has James and the JBs stretching out and doing their thing – working here in a setting that's supposed to be the ... LP, Vinyl record album
Sweet silky harmony soul from the trio of Harry Ray, Billy Brown, and Al Goodman – the group's first album under a new name – after some previous indie work as The Moments! The album's got the group really stepping up with a rich new sound – drawing on all the best elements of ... LP, Vinyl record album
Quite different than the usual Odetta album – and a record that has the folk singer running through some hipper more modern numbers, often with a bit of a funky twist! Some tracks were recorded in Muscle Shoals with a small combo that includes Roger Hawkins, Eddie Hinton, and Jimmy Johnson ... LP, Vinyl record album
A weird little record from Bill Cosby – a set that's not as all-out funky as some of his other vocal albums, but still pretty nice overall! The style here is more bluesy than soul-based, but production is still by Fred Smith, of 103rd Street Rhythm Band fame – and the album has a sense ... LP, Vinyl record album