This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A fantastic record – one of Birdsong's rare early ones, with a messed-up approach to funk that he rarely matched again! The album was cut at the time Birdsong was working with Roy Ayers – but it was produced by Birdsong himself, and he also handled all the keyboards on the set. The ... LP, Vinyl record album
An excellent album of fusion-inspired soul – recorded for Wayne Henderson's At-Home productions, and done with a jazzy vibe that's simply tremendous! The album features some really great work by by Bobby Lyle and Roland Bautista – and at some level, the whole thing's got a sound that's ... LP, Vinyl record album
One of the coolest club projects of the 70s – a set of tracks based around the keyboards of Don Ray, but handled with lots of electronic disco touches from Cerrone! The pair are great arrangers on their own, but together they really make some magic – kind of a leaner take on the ... LP, Vinyl record album
Wonderful work from the great Ellen McIllwaine! Ellen's certainly not a soul artist – but she's got a particularly soulful approach to folk rock – one that's made her a favorite of groovers worldwide in the past few decades, thanks to a big push from Gilles Peterson, and the club scene ... LP, Vinyl record album
An 80s collection of some of James' best King funk singles from the late 60's – with a monster set list that includes "I Can't Stand Myself When You Touch Me", "Don't Be A Drop Out", "Let Yourself Go", "Bring It Up", "Lickin Stick", "Give ... LP, Vinyl record album
Plenty of darkness here from Phil Upchurch – those great tones and notes he worked so well back in the 70s – all with that near-perfect quality that made him one of the most in-demand players of his day! The style here is a bit different than some of Phil's previous work in Chicago ... LP, Vinyl record album
One of the best Stevie Wonder albums ever! Stevie's moving into god-like territory here – handling a multitude of styles, all well, and crafting some of the most sophisticated soul of his generation. The album's got the same jazzy references you'll find on the best work by Donny Hathaway ... LP, Vinyl record album