Lee Konitz : Young Lee (aka Jazz Time Paris Vol 7) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Young Lee (aka Jazz Time Paris Vol 7)

LP (Item 160541) Vogue (France), 1953 — Condition: Near Mint-
A wonderful French session from alto genius Lee Konitz – and a record that we might well rank up there with Lee's best 50s material on Atlantic and Storyville! The session's got the open, tone-centric feel of those gems – with Lee's crisp alto right out front, already finding countless new modes of expression that few of his contemporaries could touch – and the lineup features guitarist Jimmy Gourley in a place that Billy Bauer might normally occupy – playing in a way that's maybe not as spacious as Bauer, but still very respectful of the overall Konitz ideal! Henri Renaud plays piano in the quintet – and titles include "You'd Be So Nice To Come Home To", "I'll Remember April", "Lee Tchee", "Record Shop Suey", "Young Lee", and "4pm";  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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