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At Beethoven Hall II
LP (Item 13848) Saba (Germany), 1969 — Condition: Near Mint- Gatefold
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A rare moment in time – documented in this legendary meeting of two American modernists on the European scene of the 60s! The session features a 1965 performance by the George Russell Sextet, but is especially noteworthy for the presence of Don Cherry – making a key guest appearance on the record during immediate post-Ornette modes, and really stretching out into a very different sound with Russell! Russell's still very much in the grip of his "lydian mode" writing of the 50s – which is great, because Russell's modalism was a strong influence on the sound of other MPS/Saba artists of the 60s. The group features Bertil Loevgren on trumpet alongside Cherry, plus Brian Trentham on trombone, Ray Pitts on tenor, Cam Brown on bass, and Albert Heath on drums. Titles include "Oh Jazz, Po Jazz", "Volupte", and a creative reworking of "You Are My Sunshine". © 1996-2024, Dusty Groove, Inc.
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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