Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Pleasant Afternoon

LP (Item 13638) Muse, 1981 — Condition: Very Good

A fantastic album by Charles Earland – and one which, like many of his Muse albums, has a groove that he hardly ever managed to put on wax with other labels at the time! The band – which features Grady Tate, Melvin Sparks, Bill Hardman, and Houston Person – comps in a perfect groove, while Earland leads them through long modal lines that provide an excellent showcase for his lively talents on the organ. The whole record's great, but our favorite cuts are "Murilley", "Organic Blues", and "Pleasant Afternoon".  © 1996-2020, Dusty Groove, Inc.
(Cover has some wear and sticker residue.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Charles Earland

Odyssey
Mercury, 1976. Very Good
After his run of funky organ records for Prestige in the early 70s, Charles took a similar route to Herbie and others, and picked up a host of electric keyboards for his spacey fusion records on Mercury. The core of Earland's groove here is the Arp, which he plays masterfully – running from ... LP, Vinyl record album

Charles Earland

Great Pyramid
Mercury, 1976. Very Good+
One of the most spiritual, soulful albums ever from the great Charles Earland – a set that's almost his answer to the keyboard styles of Lonnie Liston Smith in the 70s – and done with a very spiritual vibe! We love Earland on Hammond – but here he also plays Fender Rhodes, ... LP, Vinyl record album

Charles Earland

Black Talk!
Prestige, 1970. Very Good
A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his ... LP, Vinyl record album

Jaki Byard

Family Man
Muse, 1978. Sealed
Jaki Byard brings plenty to the table here – playing both tenor and alto sax, in addition to his usual piano – and showing once again that he's not just a multi-instrumentalist, but also one of the most multi-voiced talents in jazz! Byard seems to bring a similar spirit of multiplicity ... LP, Vinyl record album

Pat Martino

Footprints
Muse, 1975. Very Good-
Martino plays in a 2-guitar quartet – with Bobby Rose backing him up on guitar, plus rhythm accompaniment by Richard Davis and Billy Higgins. The sound's definitely in the trippier, post-hippie style of Martino's work, with a sort of looseness and fluidity that you either love or hate, but a ... LP, Vinyl record album

Larry Coryell

Comin Home
Muse, 1984. Near Mint-
The title's an apt one, as the set's a great batch of back-to-basics work from Larry Coryell – a player who first started out bold and strong in the 60s, and never really had a time to lay back in a more relaxed set like this! There's still a spacious approach that really marks the Coryell ... LP, Vinyl record album

Cedar Walton - Hank Hobley Quintet

Breakthrough (Muse pressing)
Muse, 1972. Very Good
One of the last great albums that Hank Mobley ever cut! Although Mobley's 70s output was nothing compared to his 60s Blue Note work, this 1972 session for Cobblestone/Muse is a winner, and features the aging tenorist co-leading a crack quintet with Cedar Walton, and featuring Billy Higgins, Sam ... LP, Vinyl record album

Sonny Stitt

Blues For Duke
Muse, 1978. Near Mint-
... LP, Vinyl record album

Albert Dailey

Textures
Muse, 1981. Very Good
A seminal set from the under-recorded Dailey – mostly a trio date with Rufus Reid on bass and Eddie Gladden on drums – but also featuring Arthur Rhames on tenor on one track. Titles include "Pogo", "Textures", "Dailey Bread", and "The Dues We Have To ... LP, Vinyl record album

Creative Construction Company

Creative Construction Company Vol 2
Muse, 1970/1976. Near Mint-
Classic Chicago avant garde jazz, recorded at Peace Church New York by Ornette Coleman in 1970, and featuring Leroy Jenkins, Anthony Braxton, Leo Smith, Richard Davis, Steve McCall, and Muhal Richard Abrams. The whole LP's one long track called "No More White Gloves", and the sound is a ... LP, Vinyl record album

Tony Scott

I'll Remember
Muse, 1959. Near Mint-
An 80s issue of amazing early work from the hip team of Tony Scott and Bill Evans – Scott blowing modernist clarinet, with great piano from Bill – and rhythm from Jimmy Garrison on bass and Pete LaRoca on drums. Titles include "Garrison's Raiders", "Stella By ... LP, Vinyl record album
Muse, 1975. Near Mint-
Titles include "Three On The Stairs", "Prayer", "Nardis", "Dance Of The Wind Chimes", and "Joyce From The Bronx". LP, Vinyl record album
 



⇑ Top