This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Lester Young joins the Oscar Peterson trio – and the result is a classic meeting of the minds from early 50s Verve! Young's tone is tremendous throughout – that sharp-yet-cool style that had such a big influence on other 50s players, and which gets some great support here from Peterson' ... CD
Forget his bebop years – Dizzy was at the height of his powers in the early 70s, as you'll hear on this rare French session! Diz's solo conception is tight, but a lot more open ended than earlier, and he joins with Johnny Griffin, Kenny Clarke, and Kenny Drew in a lively set of tracks that ... CD
Go Power indeed – as the album's a really stripped down groover, and one that has the tenor of Illinois Jacquet working in spare trio formation with Milt Bucker on Hammond and Alan Dawson on drums! The record's got a sound that's even earthier than some of Jacquet's other work for Argo ... CD
With players like these, the life of a trio must be a great one – and the album's one part of a two-day recording session done by pianist Paul Bley, bassist Steve Swallow, and saxophonist Jimmy Giuffre! The "trio" tag is somewhat misleading at times – because the album's ... CD
A tasty Japanese-released session from Art Farmer – recorded at Boomers nightclub, with a quintet that includes Clifford Jordan, Cedar Walton, Sam Jones, and Billy Higgins. Jordan's sharp-edged tenor solos give Farmer a lot more bite than usual – and the rhythm team keeps things ... CD
One of the coolest albums we've ever heard from trumpeter Stephane Belmondo – a mighty tribute to the great Donny Hathaway – based around a mix of Hathaway's famous tunes and Belmondo's original tracks – and featuring a bit of guest work on vocals from Gregory Porter and Sandra ... CD
Quite possibly our favorite of the wonderful 90s comeback sessions by Randy Weston – thanks in large part to the great players on the set! The album's a smaller group outing than some of Weston's others from the time – played by a septet that includes Billy Harper on tenor sax, Talib ... CD
Gently graceful work from Art Farmer – and a wonderful example of the way he was expanding his talents in the 70s! The set's got a slow burning sensuality that seems to bring even more soul out of Farmer's work on flugelhorn than before – especially on the mellower cuts, which seem ... CD