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Today's Man

LP (Item 12200) Mainstream, Early 70s — Condition: Used
Gatefold
Out Of Stock

LP, Vinyl record album


4.70 5

A great document of the more soulful shift made by Charles McPherson in the 70s – and an album that features his moody alto work set amidst a slightly larger group – filled with great players that include Chris Woods on flute, Richard Williams and Cecil Bridewater on trumpet, Frank Wess on tenor sax, Garnett Brown on trombone, and Barry Harris on piano. The tracks are deceptively easygoing, but swing with a nice spiritual soul jazz undercurrent – and McPherson blows in some warm, open modes that really grab us on the best tunes. Includes a great version of "Naima", plus the tracks "Bell Bottoms", "Cheryl", "Invitation", and "Charisma". (Cover has a sticker & some light wear.)  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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