This image is a general representation of the album cover, but the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. If the item offered is a used, second-hand item, please note that there may be some cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Charles McPherson plays with a large ensemble in this tribute to Billie Holiday – in a core group with piano by Barry Harris, guitar by Earl Dunbar, bass by Sam Jones, and drums by Leroy Williams – plus larger backing by a string section. Tracks are mostly Billie Holiday standards, ... LP, Vinyl record album
One of the rarest Blue Mitchell albums for Mainstream – and one of the most beautiful! Unlike the other sessions, most of which are electric funk outings, this one has a more spiritual side, and the kind of soulful approach you'd expect from Strata East. The group features Ernie Watts on ... LP, Vinyl record album
An excellent LP of funky big band jazz – way better than you'd guess from the name of the group! The all-star ensemble – which includes Blue Mitchell, Willie Bobo, Stix Hooper, Paul Humphrey, Charles Kynard, Ernie Watts, and Joe Pass – does an excellent job of grooving tightly, ... LP, Vinyl record album
A great little Sonny Stitt album – very different than any of his other sets from the 60s! The album has a number of interesting aspects – from hard-wailing organ by Wilmer Mosby (who we think is Don Patterson under a fake name), to some screaming guest work by Rufus Harley and Robin ... LP, Vinyl record album
Classic work from Jimmy Smith – a smokin' quartet session from the early 60's, one that sports a rare appearance by Percy France on tenor on most of the tracks! France has a great raw sound that gives the session a nice little edge – and the rest of the group features Kenny Burrell on ... LP, Vinyl record album
An unusual record for vibist Johnny Lytle – one that has him breaking from his usual trio formation, to work in a super-tight lineup that includes some soul jazz heavyweights! The sound's quite different than Lytle's usual mix of organ and vibes, but still pretty darn great – thanks to ... LP, Vinyl record album
Jimmy Smith and Stanley Turrentine go head to head in a great little set for Blue Note – spare quartet grooving, with lots of room for soulful solos! Turrentine's simply great at this point – playing with a raspy edge on the bottom of his tone, sounding dark and mysterious – not ... LP, Vinyl record album