A really cool look at a label that was maybe one of the hippest things the Beatles ever did – the short-lived Zapple imprint – which was part of their main Apple label, but dedicated to more experimental work from a variety of musicians and writers! The imprint is perhaps best remembered as the home of more avant recordings by John & Yoko, and by George Harrison – but it also presented material by Allen Ginsberg, Charles Bukowski, Charles Olson, Lawrence Ferlinghetti, and other key underground figures – a legacy that would have been enormous, had it continued. The book is put together by Zapple label manager Barry Miles – and includes loads of photos and images too – studio shots, ads, and a lot more elements that help bring this lost label to life once again! 272 pages, hardcover, with some black and white images. Book
Yoko shows her Fluxus roots on this album of trippy experimental stuff. Side one is a live piece called "Cambridge 1969", which is performed by John and Yoko, with the help of avant jazzmen John Tchicai and John Stevens. Lots of noisy guitar on that one. Side 2 features a number of spare tracks recorded on a cassette at Queen Charlotte Hospital, in 1968. Cuts include "No Bed For Beatle John" (as pictured on the cover), "Baby's Heartbeat", and "Two Minutes Silence". LP, Vinyl record album
(Original UK Zapple pressing. Cover has light surface wear, some edge wear, lightly bent panels, and a faint name in pen.)
A real oddity from George Harrison – a record of abstract electronics, cut right around the same time as his bigger mainstream solo hits! The record is a highly experimental one – a session that has Harrison working with Bernie Krause, and exploring territory that's much more in the late 60s Limelight Records mode than it is that of Apple – which is quite possibly why the label is listed as "Zapple", not "Apple"! Each tune takes up a full side of the album – and builds slowly out of soundshapes and textures, very much in the manner of some of the best work from the academic electronic music centers in the US at the time. And while the album may be a bit loose and unfocused overall, it's actually got a really appealing quality that we love a lot – a sense of free and naive exploration that's pretty great. Titles include "Under The Mersey Wall" and "No Time Or Space". LP, Vinyl record album
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